Creation Story Verbatim Script

By E.J. Gold

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Creation Story Verbatim, a play by E.J. Gold, opens with Archangel Gabriel having dinner with the Lord in her tent. In order to circumvent having to eat the Lord's favorite dinner entree, lamb's eyes, Archangel Gabriel asks the Lord to tell him about humans of the solar moon Earth.

The Lord tarried in her response which allows for the comedic dynamic between the Lord and Gabriel to unfold. Eventually the Lord launches into a story of her own visit to this insignificant mudball.

Gabriel is shocked by the Lord's revelation of an accident that happened which infected humans with something that produced a third brain. And as it happened, this little accident prompted the expulsion of humans from the garden.

As the narrative progresses Gabriell declares his ignorance of certain areas of the human experience and the Lord complies with his inquiry by delivering simulations of certain typical experiences.

Looking at humans from the perspective of the Lord's chamber provides a broad landscape for hilarious episodes The play is justifiably subtitled A Divine Comedy.

Briefing Doc

Main Themes:

The Fallibility of God: The play presents a humorous and unconventional depiction of God, challenging traditional notions of divine perfection. God is portrayed as forgetful, prone to outbursts, and struggling with the limitations of the created world. This is exemplified by Her inability to perform miracles like the burning bush: "Can't get it up to blow up bushes and burn them anymore, Gabriel. Not enough friction around here to singe a fig leaf, let alone torch a manzanita."

The Absurdity of Human Behavior: The play satirizes human behavior, highlighting our self-destructive tendencies and bizarre fixations. From fashion obsessions to the pursuit of instant gratification, the play mocks our priorities and exposes the absurdity of our actions. God highlights this when discussing humans with Gabriel: "It's inconceivable, Gabriel, that you wouldn't know at least a little something about these two-and-a-half brained creatures calling themselves 'men'...."

The Challenge of Communication: The play explores the difficulties of communication, particularly between the divine and the human. God's attempts to explain humanity to Gabriel are often met with misunderstanding and confusion. This highlights the limitations of language and the inherent gap between different levels of consciousness. This is evident in the numerous exchanges where Gabriel declares "I don't understand, Lord."

The Search for Meaning: Despite the play's comedic tone, it touches on deeper existential themes. Both God and Gabriel grapple with questions of purpose and meaning. God expresses a sense of disillusionment with humanity, while Gabriel seeks answers to the mysteries of human existence.

Important Ideas/Facts:

God's Discontent: The play portrays God as bored and disillusioned with humanity's self-destructive path. She yearns for something more from Her creation.

The Third Brain: Humans possess a "third brain" as a result of an accidental bacterial infection from God, which has hampered their evolution and trapped them in a cycle of base desires. "You mean it was you who infected them with something that produced a third brain in them, Lord? ... and that you-the Lord God-who is supposed to be the nonembodiment of Intelligence-Absolute, or at least a whole lot smarter than the rest of us dummies-accidentally infected these pathetic little ordinarily two-brained creatures with something that made a third brain grow at the base of their spines?"

God's New Plan: Disappointed with humanity's progress, God decides to deliver a new message: "Just be what you are and do what you do." However, the ambiguity of this message raises questions about its effectiveness and God's true intentions.

The End of Creation: The play culminates in the destruction of Earth, possibly through a nuclear holocaust, suggesting that humanity's self-destructive tendencies will ultimately lead to its demise. God seems almost indifferent to this outcome, indicating a possible cycle of creation and destruction.

Quotes:

"Pudenda...we're talking Latin again, aren't we, Gabriel? Why are we talking Latin all of a sudden? I hate Latin. You know I hate Latin. The only kind of Latin I like is pig. Why can't we just say genitals? What's the big deal? What are we, doctors or something?" - God's humorous disdain for formality and convention.

"They like John Wayne, Lord. He won the war and fought the Indians and settled the West. He was a great hero and a fine cowboy." - Gabriel's explanation of human hero worship, further highlighting their flawed priorities.

"I can completely understand their reaction!" - God's exasperation with human behavior, hinting at a growing frustration with Her creation.

"Smaller feet are more sexually attractive, Gabriel. That's why." - God's satirical explanation of human vanity and illogical desires.

"Just be what you are and do what you do." - God's ambiguous new message for humanity.

"It's just the end of the entire Creation." - God's nonchalant revelation of the world's impending destruction.

Overall Impression:

This play is a thought-provoking and humorous exploration of the complex relationship between God and humanity. It challenges traditional religious perspectives, presenting a flawed and relatable God struggling to understand and guide Her creation. The play's comedic tone does not diminish its profound themes, ultimately leaving the audience to contemplate the meaning of existence and the consequences of our choices.

Note:

Purchase price includes royalty-free performance rights for amateur productions. For professional theatrical productions please contact the publisher for the royalty payment schedule.